Trevor Paglen was born in 1974 in Maryland, and his wide-ranging work includes sculpture, journalism, and engineering as well as image-making. Panopticon: Visibility, Data, and the Monitoring Gaze, Utah Museum of Contemporary Art, Salt. Trevor Paglen, Protocinema, Istanbul, September 12–October 25, 2013. Traveled to: University of Michigan Museum of Art, Ann Arbor. The World As Prison?, Museo nazionale delle arti del XXI secolo, Rome. In February this year, Trevor Paglen thought he had finished preparing his exhibition, Bloom, showing at Pace Gallery in London (10 September–10 November 2020). Trevor Paglen présente douze photographies à la Pace Gallery, The Shape of Clouds. Presented alongside these sculptures are a series of new drawings and compositional paintings that are similarly based on mathematical simplifications produced by various computer vision algorithms. La livraison est disponible en tout temps | Nous joindre; Panier 0 produit Trevor Paglen: Recording Carceral Landscapes, The Lab, San Francisco, April 29–May 28, 2005. Trevor Paglen: Machine Visions, Museo Tamayo, Mexico City, June 28–September 30, 2018. Trevor Paglen: Machine Visions, Nam June Paik Art Center, Yongin, South Korea, October 16, 2019–February 2, 2020. Technology is seductive. FEEDFORWARD - The Angel of History, Laboral Art Center, Gijon, Spain. WATCHED! The world is a messy place. 1974, Camp Springs, MD) is known for investigating the invisible through the visible, with a wide-reaching approach that spans image making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines. By trying to critically resolve the technology, the artist tends to speak about humanity in a philosophically and poetically inclined manner. Dissident Futures, Yerba Buena Center for the Arts, San Francisco. https://artisalive.co.uk/2020/09/02/trevor-paglen-at-pace-gallery Distracted Drivers and Classifications of Gait showcase grids composed of thousands of smaller images used to evaluate people’s behaviours for commercial purposes. Le 10 septembre dernier, Trevor Paglen ouvrait les portes de sa nouvelle exposition dans l'espace de la Pace Gallery à Londres. (catalogue). Faithless Pictures, The National Museum of Art, Architecture and Design, Oslo. Wild Sky, Edith-Ruß-Haus, Oldenburg, Germany. Political Populism, Kunsthalle Wien Museumsquartier, Vienna. Trevor Paglen: A Study of Invisible Images, Metro Pictures, New York, September 8–October 21, 2017. Resynthesis, Betty Rymer Gallery, Chicago. 10th Havana Biennial Art Exhibition, Cuba. Trevor Paglen: The Octopus, Frankfurter Kunstverein, Germany, June 20–August 30, 2015. The Landscape of War, San Jose Institute of Contemporary Art, California. By using this site, you consent to our use of cookies. Trevor Paglen, Altman Siegel, San Francisco, March 5–May 2, 2015. Im Zweifel für den Zweifel, NRW Forum Wirtschaft und Kultur, Düsseldorf, Germany. Conceived from the average measurements of the faces Bledsoe experimented with, Paglen reconstructed the “standard head” from rare information left behind in Bledsoe’s archives at the University of Texas. Vivid renderings of blossoming flowers, which compose a centrepiece of the show alongside sculptures, drawings and digital components, may lead one to think otherwise, but that would be wrong. Held both at 6 Burlington Gardens and on the gallery’s digital platform, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Sterne, Lentos Kunstmuseum Linz, Austria. Berkeley Big Bang 08, Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley. Illegal, Luggage Store Gallery, San Francisco. Sebald Variations, Centre de Cultura Contemporània de Barcelona. 1974, Camp Springs, MD) is known for investigating the invisible through the visible, with a wide-reaching approach that spans image making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines. Trevor Paglen: Sites Unseen will open on 21 June 2018 at the Smithsonian American Art Museum in Washington, D.C., and will last until 6 June 2019. Under the Clouds: From Paranoia to the Digital Sublime, Museu de Arte Contemporânea, Porto, Portugal. Paglen's complex and pioneering work examines the … Beyond Truth: Photography After the Shutter, The Cleveland Museum of Art. Object Fictions, James Cohan Gallery, New York. Catastrophe? 70-1/8" × 93-1/8" × 2" (178.1 cm × 236.5 cm × 5.1 cm), framed, 54" × 40-1/2" (137.2 cm × 102.9 cm) The Unseen: Fourth Guangzhou Triennial, Guandong Museum of Art, Guangzhou, China. Available for sale from Pace Gallery, Trevor Paglen, Airlines and Sentiments (2020), Pigment print, 155.3 × 155.3 × 6 cm The Eight Climate: What Does Art Do,” 11th Gwangju Biennale, South Korea. 61-1/8" × 61-1/8" × 2-3/8" (155.3 cm × 155.3 cm × 6 cm), framed, 18" × 18" (45.7 cm × 45.7 cm) Conspire, Transmediale 2008, Haus der Kulturen der Welt, Berlin. This is "Trevor Paglen Pace" by Art Fix on Vimeo, the home for high quality videos and the people who love them. Bloom (#5f5554), Trevor Paglen, 2020, c/o Pace Gallery Art gallery behemoth Pace will host Trevor Paglen in London this September, with a new exhibition entitled Bloom. Allen Memorial Art Museum, Oberlin College, Ohio, Amon Carter Museum of American Art, Fort Worth, Texas, Berkeley Art Museum and Pacific Film Archive, California, Carl & Marilynn Thoma Art Foundation, Santa Fe, New Mexico and Chicago, Illinois, Colby College Museum of Art, Waterville, Maine, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida, The Denning House Collection, Stanford University, California, Eli and Edythe Broad Art Museum at Michigan State University, East Lansing, Henry Art Gallery, University of Washington, Seattle, Institute of Contemporary Art, Boston, Massachusetts, Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, California, Mildred Lane Kemper Art Museum, Washington University, St. Louis, Missouri, MIT List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, Musée d'art contemporain de Montréal, Canada, Musée d'art moderne Grand-Duc Jean, Luxembourg City, Museum of Contemporary Art San Diego, California, Museum of Fine Arts, Boston, Massachusetts, Museum of Modern Art, New York Solomon R. Guggenheim Museum. What Keeps Mankind Alive?, 11th International Istanbul Biennial, Antrepo No.3, Turkey. Trevor Paglen: How Deep Is the Ocean, How High Is the Sky, Fotograf Gallery, Prague, October 6–November 4, 2017. Everything is Connected: Art and Conspiracy, The Met Breuer, New York. Traveled to: Museum of Art, Architecture and Technology, Lisbon. Hear Trevor Paglen discuss his latest body of work in this new talk . Low Form. Quiet Earth, presented by Ballroom Marfa, Robert Rauschenberg Foundation, New York. But after Covid-19 remade the world, the show had to change. Available for sale from Pace Gallery, Trevor Paglen, Bloom (#79655d) (2020), Dye sublimation print, 51.4 × 68 × 3.8 cm Science Fiction, Onassis Cultural Center, Athens. Trevor Paglen: Bloom, Pace Gallery, 6 Burlington Gardens, London, September 10–November 10, 2020. A Different Kind of Order: The ICP Triennial, International Center of Photography, New York. Dark Matters: Artists See the Impossible, Yerba Buena Center for the Arts, San Francisco. 55-1/8" × 41-5/8" × 2" (140 cm × 105.7 cm × 5.1 cm), framed, 26" × 19-1/2" (66 cm × 49.5 cm) Schneider Museum of Art, Southern Oregon University, Ashland. Eppur Si Muove: Art et Technique, Un Espace Partagé, Grand Duke Jean Museum of Modern Art, Luxembourg City. Trevor Paglen: Bloom (#9b746d), 2020, dye sublimation print, 40½ by 54 inches. Stars: Cosmic art from 1900 to today, Lentos Kunstmuseum Linz, Austria. Bloom (#5f5554), Trevor Paglen, 2020, c/o Pace Gallery Art gallery behemoth Pace will host Trevor Paglen in London this September, with a new exhibition entitled Bloom. But after Covid-19 remade the world, the show had to change. The Art of War, CEPA Gallery, Buffalo, New York. Universal Code, The Power Plant, Toronto. He has participated in group exhibitions at the San Francisco Museum of Modern Art (2008, 2010, 2018); Museo Nacional Centro de Arte Reina Sofía, Madrid (2014); The Metropolitan Museum of Art, New York (2012); Tate Modern, London (2010), and numerous other institutions. Previous series have featured a National Security Agency's eavesdropping complex, an Israeli nuclear weapons facility and a secret CIA prison. Nina Beier, Judith Hopf, John Miller, Trevor Paglen, Halsey McKey Gallery, East Hampton, New York. They do not represent real-to-life colours so much as what the AI thinks the different parts of the images are. The Sun Placed in the Abyss, Columbus Museum of Art, Ohio. Thought Crimes: The Art of Subversion, Diverse Works, Houston. Share; Tweet; Advertisement. 70-1/8" × 93-1/8" × 2" (178.1 cm × 236.5 cm × 5.1 cm), framed, 45.7 cm × 45.7 cm (18" × 18"); 49.8 cm × 49.8 cm × 3.8 cm (19-5/8" × 19-5/8" × 1-1/2") framed, Edition 1 of 3 + 1 AP, 121.9 cm × 121.9 cm (48" × 48"); 124.8 cm × 124.8 cm × 5.1 cm (49-1/8" × 49-1/8" × 2"), framed, Edition 2 of 5 + 2 APs, 48" × 48" (121.9 cm × 121.9 cm); 49-1/8" × 49-1/8" × 2" (124.8 cm × 124.8 cm × 5.1 cm), framed, Edition 2 of 5 + 2 APs. Trevor Paglen and Jacob Appelbaum: Autonomy Cube, Edith-Russ-Haus for Media Art, Oldenburg, Germany. A l’heure où tout devient sujet au « cyber » - cyberculture, cyber infomatisation, cyber technologie, ou sujet de « data », Trevor Paglen, choisit comme de nombreux artistes contemporains de s’appuyer sur la science, principalement, pour créer et s’engager. The World to Come: Art in the Age of the Anthropocene, Samuel P. Harn Museum of Art, University of Florida, Gainesville. Uncanny Values: Artificial Intelligence & You, Vienna Biennale for Change 2019, MAK – Museum für Angewandte Kunst, Vienna. About Held both at 6 Burlington Gardens and online at pacegallery.com, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Available for sale from Pace Gallery, Trevor Paglen, The Model (Personality) (2020), Silver-plated bronze, 18.4 × 18.1 × 13.7 cm Trevor Paglen: Autonomy Cube, Tensta Konsthall, Spånga, Sweden, February 1–May 7, 2017. Off the Grid, Neuberger Museum of Art, State University of New York at Purchase, New York. Photograph: Paglen Studio/Trevor Paglen, courtesy the artist and Pace Gallery But he is just showing the truth. (catalogue). Paglen’s investigation into the epistemology of representation can be seen in his Symbology and Code Names series which utilize text, video, object, and image to explore questions surrounding military culture and language. Courtesy of the Artist and Pace Gallery Trevor Paglen’s Three Remarkable Shows. Nothing Will Be As Before, Tanya Leighton, Berlin. The clandestine and the hidden are revealed in series such as The Black Sites, The Other Night Sky, and Limit Telephotography in which the limits of vision are explored through the histories of landscape photography, abstraction, Romanticism, and technology. The system that is in place is highly complex, but it has been simplified in order for the everyday person to use. Pace returns to its physical space with an exhibition of new works by American artist Trevor Paglen. Tech Tools of the Trade: Contemporary New Media Art, de Saisset Museum, Santa Clara University, California. He grew up on bases in the USA and Germany. Global Control and Censorship, The ZKM | Center for Art and Media Karlsruhe, Germany. Online participants can observe visitors experiencing the work in person and can be “present” in the space by streaming their personal webcams on monitors displayed within the exhibition. 2019. Vanitas Contemporary, H2 – Zentrum für Gegenwartskunst im Glaspalast, Augsburg, Germany. Trevor Paglen: Inaugural Exhibition Solo Show, Officine Grandi Riparazioni, Turin, March 12–May 31, 2020. Kristen Knupp interviewed American artist Trevor Paglen at Pace Gallery, Geneva, for his exhibition “The Shape of Clouds” which opened on September 3, 2019. [Control] No Control, 7th Triennale der Photographie Hamburg, Hamburger Kunsthalle. Electronic Superhighway (2016-1966), Whitechapel Gallery, London. The Distance of a Day: New in Contemporary Art, Israel Museum, Jerusalem. Bloom. Exposed: Voyeurism, Surveillance and the Camera, Tate Modern, London; San Francisco Museum of Modern Art; and the Walker Art Center, Minneapolis, Minnesota. Vortexhibition Polyphonica, Henry Art Museum, University of Washington, Seattle. Art in the Age of…, Witte de With Center for Contemporary Art, Rotterdam, Netherlands. The Unexpected Guest, Liverpool Biennial, United Kingdom. Fractured Narratives: A Strategy to Engage, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida. (catalogue). The MacArthur genius grant winner's solo exhibition at Pace Gallery in London looks at the weird, partial ways computers look back at us. Trevor Paglen: The Other Night Sky / MATRIX 225, Berkeley Art Museum & Pacific Film Archive, University of California, Berkeley, June 1–September 14, 2008. Trevor Paglen: Surveillance States, Prefix Institute of Contemporary Art, Toronto, May 4–June 16, 2018. The Planetary Garden, Manifesta 12, Palazzo Ajutamicristo, Palermo. Pace will work in cooperation with Paglen’s American galleries, Metro Pictures, New York, and Altman Siegel, San Francisco, together offering a comprehensive global network through which to maximize exhibition opportunities and exposure for Paglen’s … Photograph: Paglen Studio/Trevor Paglen, courtesy the artist and Pace Gallery But he is just showing the truth. I have already witnessed first-hand the gallery’s global reach and their commitment to artists through our project together in Geneva last year. Après une rétrospective importante de Trevor Paglen au Smithsonian Amercian Art Museum de Washington DC, l’artiste américain a une actualité chargée en Europe pour cette rentrée 2019. Covert Operations: Investigating the Known Unknowns, Scottsdale Museum of Contemporary Art, Arizona. Surveying the Terrain, Contemporary Art Museum of Raleigh, North Carolina. En Liang Khong Features 10 September 2020 ArtReview. Artes Mundi 8, National Museum Cardiff, Wales. Trevor Paglen: Machine Visions, Nam June Paik Art Center, Yongin, South Korea, October 16, 2019–February 2, 2020. Ansel Adams in Our Time, Museum of Fine Arts, Boston. Into the Unknown: A Journey through Science Fiction, The Curve, Barbican Centre, London. California and the West: Photography from the Campaign for Art, San Francisco Museum of Modern Art. A computer functions on far more than a click of a few buttons. 23rd Photobiennale: Capital Realism, Museum of Photography Thessaloniki, Greece. The world has become too complex and too fragmented for any human to fully comprehend it. We disregard the future. These simple truths resonate through Trevor Paglen’s works. Among his chief concerns are learning how to see the historical moment we live in and developing the means to imagine alternative futures. Will and Be Going To, Altman Siegel, San Francisco. The website gave you … Previous series have featured a National Security Agency's eavesdropping complex, an Israeli nuclear weapons facility and a secret CIA prison. Ominous Atmosphere, Heather Marx Gallery, San Francisco. More Real? Gorgeous, Asian Art Museum, San Francisco. Whereas these attempts at housing artworks on online platforms have mostly taken the form of online viewing rooms, Trevor Paglen’s new show at London’s Pace gallery not only offers a novel take on the format, but casts a sceptical glance over the wider technologies that have become so pervasive in our everyday lives, particularly in 2020. Traveled to: Huarte Centro de Arte Contemporáneo, Spain and the Canzani Center Gallery, Columbus College of Art & Design, Ohio. The Image of War, Bonniers Konsthall, Stockholm. (Catalogue), Trevor Paglen: Sites Unseen, Smithsonian American Art Museum, Washington, D.C., June 21, 2018–January 6, 2019. It will coincide with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (4 September 2020 – 14 March 2021) and at OGR Turin (10 October 2020 – 10 January 2021). 73-3/16" × 57-3/16" × 2-9/16" (185.9 cm × 145.3 cm × 6.5 cm), framed, 48" × 48" (121.9 cm × 121.9 cm) Pace returns to its physical space with an exhibition of new works by American artist Trevor Paglen. Deep-dive into Trevor Paglen's mind and process as the artist shares insight on the development of his new works in his multi-media exhibition Bloom at Pace in London. ImageNet Roulette is an interactive artwork that classifies people’s digitally-captured portraits according to one of the most widely-used datasets used for training and evaluating computer vision systems. 2008 SECA Art Award Exhibition, San Francisco Museum of Modern Art, San Francisco. Highlights of the exhibition will include Bloom, a series of large-scale photographs that depict flower formations conceptualized by various computer vision algorithms created to analyse the constituent parts of real-life photographs. A Historic Occasion, Massachusetts Museum of Contemporary Art, North Adams. Traveled to: Cooper-Hewitt, National Design Museum, Governors Island, New York; Hammer Museum, Los Angeles; Grand Rapids Art Museum and Kendall College of Art Gallery, Michigan; Contemporary Arts Museum Houston; Southeastern Center for Contemporary Art , Winston-Salem, North Carolina; and Rhode Island School of Design, Providence. From close-ups of individual artworks at unexpected angles to wide frames of the room that allow online participants to watch visitors seeing the work in person, the view of the exhibition via webcam offers an uncanny experience between observation and surveillance. Magical Consciousness, Arnolfini, Bristol, United Kingdom. The New Normal, Artists Space, New York. And when you look into the dead soulless spaces of … Trevor Paglen, California College of Arts and Crafts, San Francisco. (catalogue). (catalogue). A mid-career survey in 2018–2019, Trevor Paglen: Sites Unseen, was a traveling exhibition shown at the Smithsonian American Art Museum in Washington DC and Museum of Contemporary Art San Diego. Trevor Paglen: Bloom / Pace Gallery / London / reviewed by Katie Smith. Social Ecologies, Rail Curatorial Projects at Industry City, Brooklyn. Employing a variety of disciplines throughout his oeuvre, from investigative journalism to scientific research, the exhibition will feature new sculptures, photographs, drawings and digital components that relate to corporate and state use of machine learning algorithms to monitor, extract value, and influence people’s lives. Trevor Paglen, says: “It is wonderful to be joining Pace at this exciting moment in its evolution. London—Pace is pleased to return to its physical space with an exhibition of new works by American artist Trevor Paglen. This is Pace’s second … The exhibition follows Paglen’s installation From ‘Apple’ to ‘Anomaly’, presented at the Barbican Curve from September 2019 to February 2020 and Training Humans, an exhibition of Paglen’s works with Kate Crawford presented at the Prada Foundation, Milan from September 2019 to February 2020. Julieta Aranda: Ghost Nets, Galería OMR, Mexico City. Trevor Paglen: Code Names of the Surveillance State, Metro Pictures, New York, October 25–December 20, 2014. The Value of Freedom, Belvedere 21, Vienna. Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment. Close Encounters 2: Acts of Social Imagination, Nathan Cummings Foundation, New York. In a complex body of work that encompasses sculpture, photography, drawings and digital practices like facial recognition technology and AI, Trevor Paglen interrogates the systems that underpin today’s society. Art in the Age of the Internet, 1989 to Today, Institute of Contemporary Art, Boston. The colours and shapes in the images represent similar areas that the AI has detected in learning from other images of flowers. As art spaces continue to grapple with visitor access in a post-COVID era, Octopus offers a new perspective on virtual engagement in the gallery space. It could be you, at home, clicking on the website for Octopus (2020), the installation project by Trevor Paglen that allowed the stay-at-homes, the voyeurs, the disabled, the bored, the ill, the curious – anyone online – to look in on Bloom, Paglen’s exhibition at the Pace Gallery in London, which ran from September until the latest lockdown forced it to close prematurely this month. Expanding Narratives, Smart Museum of Art, University of Chicago. The Big Nothing: A Void, Philadelphia Institute of Contemporary Art, Pennsylvania. Taking centre stage in the exhibition is The Standard Head, a large-scale reconstruction of the 1960’s mathematical model of a “standard head” by the pioneering researcher funded by the CIA, Woody Bledsoe. Unnamed Design, Ohio and Surveillance, and the Monitoring Gaze, Utah Museum of Contemporary Art California... Pace is a leading Contemporary Art Toronto ( # 9b746d ), Whitechapel Gallery 6! Oldenburg, Germany Mankind Alive?, Museo de Antioquia, Medelin, Colombia Mercosul Porto. The colours separate, and engineering as well as image-making Warming, the colours and shapes in Age. Futurs alternatifs géographe, Bétonsalon - Centre d'art Santa Mònica, Barcelona work, Cantor Center! 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